Close
Type at least 1 character to search

Vulvodynia

An unending sea of carnage, a God-turned-beast devouring everything within its path, an epic, sprawlingtale of the consumption of galaxies and their inhabitants—and the duality of battling deities that takesplace to bring the reign of Praenuntius to anend. What does this all mean? Simply put, it meansVulvodynia—South Africa’s premium death metal export—are back with Praenuntius Infiniti, theirfourth full-length release and a label signing to boot. Completing the tale established in their criticallyacclaimed 2015 EP Finis Omnium Ignorantiam, Praenuntius Infiniti is one hour of flesh-melting, bone-busting death metal infused with slamming elements and spine-shrinking breakdowns that capture thevery crux of heavy, intense music. Produced by Christian Donaldson (Cryptopsy), the band’s UniqueLeader Records debut displays Vulvodynia’s continued maturation and incorporation of melodic,technical and hyperaggressive elements into their backbone of brutal slamming death metal to achievewhat stands as their most diverse, engaging and immolating offer to date.Spawned in 2014 by Vocalist Duncan Bentley and Guitarist Luke Haarhoff, Vulvodynia is a South Africanslam juggernaut designed with one purpose: to make the craziest, most absurdly heavy music possible,while attempting to define themselves as more than just “another slam band.” If their mission was over-the-top heaviness, then consider it accomplished—from their debut release, Lord of Plagues,Vulvodynia’s penchant for skull-splitting technicality and eviscerating heaviness has been obvious.Rapidly gaining popularity and recognition for their prodigal slam prowess, Lord of Plagues saw the bandreach ears not just in their local scene, but around the world as well. In August 2014 the band signed atwo album contract with Australian Label Vicious Instinct Records, releasing their debut full-lengthalbum, Cognizant Castigation. Featuring Acrania’s Luke Griffin and Ingested’s Jason Evans (among manyothers). If 2014 was the year the band finally grew into their potential, 2015 was the year they shatteredtheir own mould, evolving into an even more aggressive and creative display of no-holds-barredheaviness. The band released a lengthy-but-lurid eight-track EP titled Finis Omnium Ignoratium,completing theircontact with Vicious Instinct Records. No longer satisfied with their status as aterrifying trio, the band sought to expand—searching South Africa for more like-minded musicianswilling to bring forth brutality.Vulvodynia’s search was not in vain; withthe completion of a full lineup, the band joined with Czech-based label Lacerated Enemy Records, releasing their sophomore full-length Psychosadistic Designshortly thereafter. The time that followed was a blur of tours and festivals including DeathfeastOpen Air(DE),Fall In The Brawl (UK) and 2018 tours with Despised Icon, Malevolence and Archspire. It wouldn’tbe too much longer before 2019 would dawn on the band and see them release Mob Justice, a recordthat takes a step back from the band’s lore established on Finis or the outright brutality ofPsychosadistic Design to focus on music surrounding the social strife and societal tensions surroundingliving in South Africa. Widely hailed as their strongest work to date, Mob Justice hurled the band into2020 with what seemed to be unstoppable momentum—until 2020 was complicated by a globalpandemic. Determined not to let COVID-19 slow their unstoppable onslaught, Vulvodynia pushed on,releasing Societal Lobotomization, a split EP with slamming deathcore legends Acrania. The“Vulvocrania” project was a landmark success, catapulting the band into heavy music’s uppermostechelon—complete with their recent signing to Unique Leader Records and the imminent release of

Praenuntius Infiniti, a lore-laden, slam-riddled, riff-driven monstrosity that transcends the bordersbetween brutal death metal, technical death metal and deathcore.So when you look up Vulvodynia on your favourite search engine, you’ll likely find information aboutchronic vaginal pain or infection—and much like an infection, Vulvodynia’s dominion over theunderground heavy music community continues to spread, devouring the minds and ears of any and allin their path. In the wake of a brand new record and label signing, there truly is no way to predict justhow far the tendrils of Vulvodynia’s sinister infection will spread.